You often use “sounds” in your film scores. A heartbeat in DOCTOR FAUSTUS, sounds of nature in the “Dinosaur” films, a typewriter in ROMA ORE 11, the rustling of the wind in BARABBAS, etc. Does that reflect your interest in experimentation when you score a picture, or do you do it to have fun, to…
This interview took place at the Forum Recording Studio in Rome, which is the place for recording film music. Nicola Piovani was recording the score for Fellini’s GINGER E FRED (1986) at the time, but he took time off to discuss his career, which spans 16 years and37 films. Do you score people or situations…
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