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1. God's Waiting List
(Vincent Gillioz)

... I guarantee this is a cue that collectors will return to many times. Without a doubt Vincent Gillioz is a composer of note, a composer who is full of wonderful compositions and innovative musical ideas ...

2. L'Écart
(Vincent Gillioz)

... Once again I can hear a faint stylistic resemblance between the music of Vincent Gillioz and the compositions of Bernard Herrman, this is especially prevalent in track number 15, FRUSTRE, a simple music ...

3. Quelques Jours Avant La Nuit
(Vincent Gillioz)

Vincent Gillioz is a fairly new name in the world of film music, but this young Maestro has certainly not wasted anytime in establishing himself as a name to reckoned as far as his scoring endeavours are ...

4. Irish Vampire Goes West
(Vincent Gillioz)

I have been very impressed with the music of Vincent Gillioz, for a composer so young, he has written so marvellous music that is full of depth, power and wonderfully melodic to boot. Every work for the ...

5. Philippe Sarde Interview
(Soundtrack/Interviews)

... instruments, as in LE JUGE FAYARD, DIT “LE SHERIF” and LE CHOC, a synthesizer in CESAR ET ROSALIE; a bandonéon (a small accordion) and an accordion in VINCENT, FRANCOIS, PAUL ET LES AUTRES and LE JUGE ...

6. John Barry is SWEPT FROM THE SEA
(Soundtrack/Scoring Session)

... and the other cast off by village simpletons. Yanko (Vincent Perez) is the sole survivor of a disaster at sea, a Russian immigrant who’s bound for America, but lands on the rocky shores of Cornwall. Not ...

7. Michael J. Lewis: The Great Welshman Commeth
(Soundtrack/Interviews)

... UPON THIS ROCK with Orson Welles, UNMAN, WITTERING, AND ZIGO with the chamber orchestra, great stuff. Now here’s THEATER OF BLOOD with Vincent Price! My agent said it was a horror movie. In my superior ...

8. Melody Time
(Soundtrack/Analyses)

... Europe, both privately and at the Akadamis at the University of Vienna. Primarily an arranger and skilled orchestrator, Plumb did freelance arranging for Paul Whiteman, Andre Kostelanetz, Vincent Lopez ...

9. 1975 - Soundtrack No. 2
(Printed Matter/Soundtrack)

... – John Williams||The Borrowers – Rod McKuen||Vincent/Franciois/Paul et les Autres – Philippe Sarde||Young Frankenstein – John Morris||Gruppo Di Famiglia – Piero Picciono||Le Retour du Grand Blond – Vladimir ...

10. 1994 - Soundtrack No. 51
(Printed Matter/Soundtrack)

... Magnificent Seven – Elmer Bernstein||The Shadow – Jerry Goldsmith||Wyatt Earp – James Newton Howard BOOK REVIEW Film Composers Guide: Second Edition (Vincent ...

11. Bronislau Kaper Interview
(Soundtrack/Interviews)

... liked American music. I used to play Gershwin, Jerome Kern, Vincent Youmens, and Arthur Schwartz. All these people were our idols. So they used to say about me, “Kaper is very talented but really too American.” ...

12. Vincent Gillioz Interview
(Soundtrack/Interviews)

AN INTERVIEW WITH VINCENT GILLIOZ BY JOHN MANSELL © 2008 Official Web Site / Filmography John Mansell: You were born in Geneva Switzerland; did you come from a family that was musical? Vincent Gillioz: ...

13. John Green: Film Music in the Extended Form
(Soundtrack/Interviews)

... producer, Arthur Freed, its director Vincente Minnelli, its writer, Alan J. Lerner, its choreographer and star, Gene Kelly. There were three music men on the picture, Howard Chaplin, Conrad Salinger, and ...

14. Les Baxter Interview
(Soundtrack/Interviews)

... done have given me “carte blanche” so I’ve done pretty much what I want to do. I like to work in all media, and I like to write for any size orchestra. The Vincent Price TV-special, for example, used only ...

15. David Raksin Interview
(Soundtrack/Interviews)

... he was fascinated. AI Newman said to me Zanuck used to say: “What is that nut up to now?” Daniel Mangodt: You also worked for Vincente Minnelli on THE BAD AND THE BEAUTIFUL. David Raksin: Yes ...

16. Karl Jenkins and RIVER QUEEN
(Soundtrack/Scoring Session)

...  Karl Jenkins: This was director Vincent Ward’s idea which he had before we ever met. John Mansell: How much time were you given to write the score, and did you find the schedule difficult to work ...