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1. Jerry Fielding Film Music
(Jerry Fielding)

What a treat! Two hours and 26 minutes of the music from one of the most underrated film composers. Bay Cities’ two-CD set has just rescued the late Jerry Fielding from a journey into oblivion. Until ...

2. Jerry Fielding Film Music Vol. 2
(Jerry Fielding)

... notes, the quality, relevance, and interest is unpredictable. With Jerry Fielding: Volume 2, I can say that the notes are the most powerful I have read yet. They open with a quote from Fielding, where ...

3. Jerry Fielding Film Music Vol. 3
(Jerry Fielding)

In Bay Cities’ third and final compilation of Jerry Fielding’s film music, a retrospective trilogy on the music of a remarkable composer is brought to a close. Rounding out the first two volumes with music ...

4. Elia Cmiral’s BATTLEFIELD EARTH
(Soundtrack/Scoring Session)

... Roger, to show them the direction and concept… Ford A. Thaxton: BATTLEFIELD EARTH is a very different kind of score than we’ve heard from you before - this big, John Williamsy /Jerry Goldsmithian ...

5. John Ottman: The Wizard of Light and Sound
(Soundtrack/Interviews)

... a film director. I sort of took this unexpected side turn into film scoring. Because I love film scoring so much, my dream all along was to direct films so I could hire my idols to score them like Jerry ...

6. David Arnold on Scoring ZOOLANDER and THE MUSKETEER
(Soundtrack/Scoring Session)

... having very particular ideas on music… David Arnold (chuckles): Absolutely! I wasn’t aware of that notoriety! Ford A. Thaxton: Let’s see, this film started with Jerry Goldsmith, then it went to ...

7. Mario Nascimbene: The Innovative Use of Sounds
(Soundtrack/Interviews)

... Herrmann, Elmer Bernstein, Quincy Jones, Jerry Goldsmith, John Williams, Mike Oldfield for his THE KILLING FIELDS, Vangelis for his use of synthesizers and Alex North (a composer who has always been ahead ...

8. Franz Waxman: An Appreciation
(Soundtrack/Composers)

... figure in the annals of motion picture music. His special brand of music, composition, particularly his film music, has influenced many subsequent film composers, including Jerry Goldsmith, who began his ...

9. John Debney’s Sword and Sorcery Spectacular
(Soundtrack/Interviews)

... from the other two Mummy films, a lot of Jerry and a little Silvestri, but interestingly enough, they took a lot of that out; they wanted this score to be different from THE MUMMY because that music is ...

10. Alex North: Breaking New Ground
(Soundtrack/Interviews)

... younger composers, but which ones do you know on a personal level? Alex North: I see the two most successful composers socially quite a bit - Jerry and Johnny. Goldsmith is coming here to dinner next ...

11. Alexander Courage: The Story of His Life
(Soundtrack/Interviews)

... and arrangements for Jerry Goldsmith, John Williams and others? Dirk Wickenden: Do you come from a musical family? Alexander Courage: My mother and my father both had different ideas about who ...

12. Jerry Goldsmith on Scoring BASIC INSTINCT
(Soundtrack/Scoring Session)

Jerry Goldsmith on Scoring BASIC INSTINCT A Conversation with Jerry Goldsmith by Daniel Schweiger © 1992/2010 Originally published in Soundtrack Magazine Vol.11/No.42/1992 Text reproduced by ...

13. Russell Garcia: A Man for All Seasons
(Soundtrack/Interviews)

... Widgets</A></NOSCRIPT>Matthias Büdinger: and Jerry Goldsmith himself went to Hungary for HOOSTERS, for instance. Russell Garcia: They raised a big fuss because people wanted to give him ...

14. The Music Scoring Mixer - Tim Boyle
(Soundtrack/Technicalities)

... have come to prefer specific engineers. Notable collaborations of this kind which have sprung up in recent years include Jerry Goldsmith & Bruce Botnick, James Horner & Shawn Murphy, Alan Silvestri ...

15. Alan Silvestri: From Romances to Predators
(Soundtrack/Interviews)

... Jerry Goldsmith and John Williams - although they are two names we can put them together - have single-handedly rejuvenated the public’s awareness and interest in the large film score, and I think the ...

16. Dave Grusin: Cinemagic
(Soundtrack/Interviews)

... they needed another score for another show. A voracious medium! It eats material. Sumimaro Yagiyu: A lot of American composers like John Williams and Jerry Goldsmith learned their craft in television. ...

17. Paul Verhoeven on Working with Basil Poledouris
(Dossier/The Poledouris Files)

... ever think about THE GODFATHER without the Rota score. The film is glued forever to that music and this applies for me to ROBOCOP and BASIC INSTINCT which Jerry Goldsmith did. I think this will apply to ...

18. Frederik Wiedmann: The Hills Run Red
(Soundtrack/Interviews)

An Interview with Frederik Wiedmann by John Mansell © 2009 Official Web Site / Filmography In recent years many of the veteran film music composers such as Jerry Goldsmith, Alex North, Henry Mancini ...

19. Fred Karlin on Making the FILM MUSIC MASTERS Video Series
(Soundtrack/Interviews)

... Jerry (Goldsmith) not that long after, sometime at the end of July. With his approval, which we wanted, we started. Within a couple of weeks after that, at the end of August, we were on the scoring stage ...

20. David Amram Returns to MANCHURIA
(Soundtrack/Scoring Session)

... very beautiful. I think the Horner score for TITANIC was terrific, just excellent. I really like John Barry’s music. I think every score I’ve ever heard by Jerry Goldsmith or Lalo Schifrin has always been ...