CinemaScore · Soundtrack · Archives

1. George Fenton: The Company of Wolves
(Soundtrack/Interviews)

An Interview with George Fenton by David Stoner Originally published in CinemaScore #15, 1986/1987 Text reproduced by kind permission of the editor and publisher Randall D. Larson Three major ...

2. Rick Marvin on Scoring U-571
(Soundtrack/Scoring Session)

... player, until about ‘95 I was still working for David Newman and Maurice Jarre and Tom Newman, a lot of the big guys. It was a great education for me, coming up through the player ranks, because I worked ...

3. Marco Beltrami on Scoring BLADE II
(Soundtrack/Scoring Session)

...  Rudy Koppl: How did you get involved in directing BLADE II? Guillermo Del Torro: It came to me through the Writer / Executive Producer David Goyer and Producer Peter Frankfurt. They had actually ...

4. Alan Williams: That “Other” Williams
(Soundtrack/Interviews)

... lyricist David Pomeranz. Since the songs had to be written first so that the animators could animate to the actual singers, the songs have been completed for nearly two years. To date, they might be my ...

5. David Arnold on Scoring ZOOLANDER and THE MUSKETEER
(Soundtrack/Scoring Session)

David Arnold on Scoring ZOOLANDER and THE MUSKETEER An Interview with David Arnold by Ford A. Thaxton © 2001/2010 Transcribed and edited by Randall D. Larson Originally published in Soundtrack ...

6. Mario Nascimbene: The Innovative Use of Sounds
(Soundtrack/Interviews)

... of the going trends). And the score for a current movie called ANOTHER TIME, ANOTHER PLACE. Claudio Fuiano: Did David O. Selznick specifically ask you to score A FAREWELL TO ARMS? Rumor has it that ...

7. Howard Shore confronts THE LORD OF THE RINGS
(Soundtrack/Scoring Session)

... with the film. I wanted the same feeling to THE FELLOWSHIP OF THE RINGS and to do that I had to collaborate in the same way that I did with David Cronenberg on NAKED LUNCH. Rudy Koppl: How did you ...

8. Franz Waxman: An Appreciation
(Soundtrack/Composers)

... and playing piano in a jazz band named the Weintraub Syncopaters (a name which gave Waxman’s later friend and colleague, David Raksin, a great deal of fun to rib him about). Through this, he met Friedrich ...

9. Alex North: Breaking New Ground
(Soundtrack/Interviews)

A Conversation with Alex North by David Kraft © 1985 Originally published in Soundtrack Magazine Vol.4/No.13/1985 Text reproduced by kind permission of the editor, Luc Van de Ven Alex North has ...

10. Alexander Courage: The Story of His Life
(Soundtrack/Interviews)

... Adolph Deutsch, Hugo Friedhofer, David Raksin, André Previn, Lyn Murray, Jerry Goldsmith, John Williams, Cyril J. Mockridge, Leith Stevens, Alex North, John Mandel, Laurence Rosenthal and Johnny Green. ...

11. Kendall Schmidt: The Subtle Art of ReScoring
(Soundtrack/Interviews)

... is basically stealing something legally. I think the most blatant case - I’ve done some real blatant cases but the one that comes to mind was having to steal David Foster’s ‘Love Theme from ST. ELMO’S ...

12. Howard Shore on Scoring SILENCE OF THE LAMBS
(Soundtrack/Scoring Session)

... their outward expression in a pale skin and a slight body. Before Howard Shore started his career in movies with David Cronenberg’s horror films, Shore was the musical leader of one hundred and twenty ...

13. Russell Garcia: A Man for All Seasons
(Soundtrack/Interviews)

... hands of young people. Charles Walker and I went together to Hugo Friedhofer’s funeral in Westward, California. All the film composers from our era were there and David Raksin gave a little talk about ...

14. The Music Scoring Mixer - Tim Boyle
(Soundtrack/Technicalities)

... & Dennis S. Sands, and George Fenton & Keith Grant - just to name a few. David Newman and Basil Poledouris have also found a trusted collaborator in Tim Boyle, who has handled most of their Los ...

15. Pino Donaggio on Scoring RAISING CAIN
(Soundtrack/Scoring Session)

... When I work with less well known directors such as David Schmoeller, I feel free to do what I wish, as I did for TOURIST TRAP and also for CATACOMBS, a recent production in which I was able to use a mix ...

16. Philip Glass: Collaboration
(Soundtrack/Interviews)

... AIRPLANES ON THE ROOF, a musical/dramatic work created by Philip Glass, playwright David Henry Hwang, and set designer Jerome Sirlin. In essence, the fundamental plot points are very similar to those ...

17. The Alamo Remembered
(Soundtrack/Analyses)

... Santa Anna from sweeping across Texas toward quick despotic victory. Led by Colonels William Barret Travis, James Bowie, and David Crockett, the men fortified a sprawling, crumbling adobe mission called ...

18. Malcolm Arnold just writes what he would like to hear
(Soundtrack/Interviews)

... experience for the “Master of the King’s Music” as he was at this time. Christopher Ritchie: What was your experience of working with David Lean? Malcolm Arnold: David Lean knew exactly what he ...

19. Paul Verhoeven on Working with Basil Poledouris
(Dossier/The Poledouris Files)

... Basil’s music has a much longer curve and is more difficult to cut. I also used music from THE PHANTOM (David Newman), Stravinsky’s Rites of Spring, and Wagner. This time I used some classical music because ...

20. Fred Karlin on Making the FILM MUSIC MASTERS Video Series
(Soundtrack/Interviews)

An Interview with Fred Karlin by David Hirsch © 1996/2009 Originally published in Soundtrack Magazine Vol.15/No.58/1996 Text reproduced by kind permission of the editor, Luc Van de Ven and David Hirsch ...