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1. John Debney’s Sword and Sorcery Spectacular
(Soundtrack/Interviews)

... this scope is everyone’s dream. I just, happen to have come off DRAGONFLY, which has very long cues of very dramatic music. Before that I’d done JIMMY NEUTRON and SNOW DOGS. SNOW DOGS is Aaron Copland, ...

2. Howard Shore on Scoring SILENCE OF THE LAMBS
(Soundtrack/Scoring Session)

... but film music? Despite the functional character of film music, I do think so. A film score can reveal a composer’s interior life. “If it’s in the music, it’s in the man,” the late Aaron Copland ...

3. James Peterson: A Red Classic Canvas
(Soundtrack/Interviews)

... Aaron Copland, Leonard Bernstein. • Current Film Composers: John Williams, James Horner, Chris Young, Joel McNeely, Edward Shearmur, Theodor Shapiro, Bruce Broughton, Marco Beltrami, Elliot Goldenthal ...

4. Joel Goldsmith: The Son Also Rises
(Soundtrack/Interviews)

...  David Hirsch: Elliot Goldenthal seems to have the same desire as Corigliano, to do more concert composing than film. Joel Goldsmith: Someone once asked Aaron Copeland why he didn’t do more film scores ...

5. Miklós Rózsa Interview 2
(Soundtrack/Interviews)

... The industry became wealthy, it attracted the best musicians, the best arrangers, the best orchestrators. I heard that Aaron Copland, after working on a film, went back to New York where at that time a ...

6. Dana Kaproff Interview
(Soundtrack/Interviews)

An Interview with Dana Kaproff by Jörg Kremer © 1991; Transcribed by Daniel Mangodt Originally published in Soundtrack Magazine Vol.10/No.39, 1991 Text reproduced by kind permission of the editor, ...

7. Basil Poledouris on Scoring LONESOME DOVE
(Soundtrack/Scoring Session)

Interview with Basil Poledouris by Randall Larson © 1999/2008
 Originally published in Soundtrack Magazine Vol.17/No.68, 1998/99 Text reproduced by kind permission of the editor, Luc Van de Ven and ...

8. John Green: Film Music in the Extended Form
(Soundtrack/Interviews)

... Aaron Copland?” The difference between Rozsa and Copland is, Copland made occasional forays into film music - true, they were important - RED PONY, THE HEIRESS, etc - but his principal avenue of endeavor ...

9. David Kitay Interview
(Soundtrack/Interviews)

... Jason Friedberg and Aaron Seltzer. The movie, which has been successful in the United States, stars Adam Campbell, Allyson Hannigan, Eddie Griffin, Fred Willard and Jennifer Coolidge. The film is a send ...

10. Leonard Rosenman Interview
(Soundtrack/Interviews)

... the more they wanted me. Finally everyone talked me into it - Steinbeck, Kazan, James Dean, Aaron Copland, Lenny Bernstein. That’s how I got into films. The EAST OF EDEN score is considered by many (along ...

11. 2000 - Soundtrack No. 75
(Printed Matter/Soundtrack)

... of Alan Silvestri||What Lies Beneath: Director Robert Zemeckis||Mark McKenzie Confronts Dragonheart: A New Beginning||Aaron Copland Talks About Film Music||Analysis: Squanto: The Last Great Warrior (Joel ...

12. 2000 - Soundtrack No. 76
(Printed Matter/Soundtrack)

... Planet - Graeme Revell||Celluloid Copland - Aaron Copland||Objective Burma - Franz Waxman||Judas Kiss - Christopher Young||Highlander: Endgame - Stephen Graziano/Nich Glennie-Smith Book Review Screencraft: ...

13. Dimitri Tiomkin’s Golden Decade
(Soundtrack/Composers)

... made to me by Aaron Copland about his film music (see the Fall 2000 issue of Soundtrack). I’ve tried it with HIGH NOON and sure enough, the film is not as effective without Tiomkin’s music. One example ...

14. Notes on Dragonslayer
(Soundtrack/Analyses)

... where he studied for nearly two years. There he wrote on commission two choruses and a set of piano variations. Homesick, he returned to the U.S. and continued his musical studies with Ernst Toch and Aaron ...

15. Aaron Copland talks about Film Music
(Soundtrack/Interviews)

An Interview with Aaron Copland by Roger Hall © 1993/2008 Originally published in Soundtrack Magazine Vol.19/No.75, 2000 Text reproduced by kind permission of the editor, Luc Van de Ven and Roger Hall ...

16. Jerry Goldsmith Interview
(Soundtrack/Interviews)

... Michael Cimino made one (Laughs). Allan Bryce: Lucky you didn’t get in on that! But I mean the Aaron Copland style that you sometimes adopt. Your score for the telefilm THE MAN was very much Copland’s ...

17. Alex North’s 2001 and Beyond
(Soundtrack/Analyses)

... is quite conventional by comparison to what North achieved with 2001. At its least effective, Conti’s score recalls John Philip Sousa; at its best, there are scenes with the strength of Aaron Copland. ...

18. From Soundtrack Collector’s Notebook to Soundtrack Magazine
(Printed Matter/Soundtrack)

... all-time great and include John Barry, Roy Budd, Aaron Copland, Pino Donnagio, Elmer Bernstein, Miklos Rozsa, John Williams, John Addison, Les Baxter, Alex North, Jerry Goldsmith, Mario Nascimbene, George ...